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Lucy Fitzgerald

I am a culture writer from Glasgow, Scotland. I focus on Film/TV, Music, Pop and Digital Culture (and some Politics too!).


Currently: Writing Intern at 1883 Magazine


Formerly: Film and TV Editor at The Glasgow Guardian, Film and TV Columnist at The Glasgow Guardian, Columnist at Glasgow University Magazine and Head copywriter at TedXUniversityOfGlasgow.

Gen Z's cultural education in Stranger Things - The Skinny

“One of the great things about art is, no matter what the circumstances are … the art is always going to be there essentially unchanged, ready for you, waiting for you, to be ready to receive it” – Wesley Morris In the week since season four of Netflix’s Stranger Things dropped, Kate Bush’s haunting 1985 masterpiece Running Up That Hill (A Deal With God) has climbed the transatlantic charts. Topping iTunes and Spotify and now being reserviced for radio play, its triumphant mainstream renaissanc

Opinion: Cheap, drunk and vulgar: I’m fed up with anti-Scottish bigotry

Since childhood, I have been aware of hostile jabs mocking Scottish people, on TV and in print, with the source typically being English. Ranging from inane jokes to rather extreme scorn, there is a proclivity in the English media to denigrate Scots arbitrarily. It is an irksome inclination that permeates panel conversations and columns; one that labels Scots as perpetually cheap, drunk and unintelligible. These existing attitudes are obviously leftovers from a tense historical relationship, but

POLITICS FEATURE "Do Look Back in Anger: Our Responsibility to Keep Rage Alive"

A spectre is haunting the West - the spectre of faux gentility. Politics has been drained of emotion. In its place lies only nugatory soundbites. Between Starmer’s commitment to accelerating the ranks of wet wipery and neo-liberal brainwashing, performative propriety has permeated from Peers to the press. The current expression of emotion is too bland and needs to be more belligerent. But in the present landscape, anyone who sticks their head above the parapet is shot down. Who is raging against the machine?

The essential rom com guide for Valentine’s viewing

The romantic comedy is an institution in film that works primarily to elicit joy, and yet it is often plagued by senseless calumny. I routinely wonder: do people not want to be happy? Why deny yourself life’s sweetest nectar, that is, watching beautiful people fall in love? I believe it is necessary to make room for such bliss and luxuriate in it. In the taxonomy of film genres, those with distinct feminine overtones have always been undermined and sidelined by the pessimistic and emotionally st

Albums of the Year 2021: An Evening with Silk Sonic by Silk Sonic

If you weren’t looking to wallow in Sad Girl Autumn, An Evening With Silk Sonic - which graced Spotify album charts the same day as Red (Taylor’s Version) - presented a short and sweeter than sweet, cohesive nine track album that offered good vibes only. Bruno Mars and Anderson .Paak, both seasoned musicians respectively, united to form a new, aptly named soul/funk duo and release the most sonically vibrant record of 2021. The versatile-in-vibe AEWSS can be enjoyed when a party reaches peak verve or, equally, when in repose, alone in your room.

Nothing but respect for my DC universe: an ode to Disney Channel

The revolution will not be televised. Well, at least not on The Disney Channel (TDC). In October 2020 it was announced the Burbank behemoth that is Disney had discontinued one of its most beloved products: The Disney Channel (UK). And in early October 2021 it was confirmed that the channel is no longer available in European territories and Southeast Asia as well. For any kid with a pulse for pop culture in the UK in the mid to late 2000s, if you had access to a Virgin or Sky box you were living

Does Hairspray (2007) still ‘hold’ up?

The musical film Hairspray (2007), directed by Adam Shankman, is a reimagining of John Waters’ much more risqué 1988 original. Set in 1960s Baltimore, the story follows the naively idealistic Tracy Turnblad, a larger-than-life high schooler brimming with optimism and big dreams. She navigates the difficult dynamics of fame and family but along the way to self-actualisation she must confront discrimination. On her journey to stardom, her dewy-eyed outlook of the world is challenged as she learns

Portrait of a lady online

Overgrown e-boy Elon Musk says: "We’re already a cyborg… You have a digital version of yourself, a partial version of yourself online in the form of your emails, your social media, and all the things that you do." This horcrux-ing of our souls has created digital distillations of our identities and I believe they are more fully formed than we may think. Moreover, in my totally cosmological-inept view, I see the internet as the fourth plane of existence. University of Glasgow Neuroscience student

An album that soundtracks my life: Life in Cartoon Motion by MIKA

Life in Cartoon Motion was the 2007 debut album from Michael Holbrook Penniman Jr. aka MIKA. It was the ultimate soundtrack to my family road trips at age seven. The riotous jollity of the 10-track project united us all: my mum who favoured blue-eyed soul singer Robert Palmer, my dad who vibed solely with folk legend John Prine, my eldest brother who was deep in his Linkin Park phase and my other brother who was content supporting the shameful late 00s period which grime veterans wish they could

Family Canon: The (proletari)cat in the hat

The Cat in the Hat, the live-action adaptation of Dr. Seuss’ classic children’s book, reigns supreme in my family canon. Mike Myers’ chef-d’oeuvres operates on its own plane of existence – one of simultaneous intellect and insanity. Disclaimer: this article may offend the haughty, Tarantino-bitched bros of film Twitter. I can understand why people may hate this film but I will defend its auteurist merit until my dying breath and yes, I am calling it a FILM! I attest that Seuss could Sorkin, but

Picking a bone with: The quadruple threat: White, male, posh and English!

An unpalatable truth of the current UK acting industry is that it almost exclusively reserves its most glittering job prospects and abundance of praise for White, male, upper class actors from England. Unbiased sample of British talent should show more than just Anglo gentlemen who were Made in Chelsea - we need to talk about Kensington… You know when you have a loose thought swimming about in your mind, and then you see someone articulate your intended sentiment perfectly, providing a coherent

Best of both worlds: Miley Cyrus, popstar or rockstar?

Miley Cyrus’ recent array of performances, including a body of Metallica covers and swift announcement of a forthcoming rock album entitled Plastic Hearts, left some excited and others sceptical at her alteration of style. I attest that this duality is not shocking or new. After all, she’s been living a double life since her teenage years… As Disney demigoddess Hannah Montana, Cyrus achieved great triumphs: a five-year TV show run, a world tour and an eponymous feature-length movie. But with th

The Female Gaze: Modern Woman’s Prerogative to Peep

[John] Do you have to be so vulgar about men? Like they’re pieces of meat? [Denise] …let me be clear. After centuries of men looking at my tits instead of my eyes and pinching my ass instead of shaking my hand, I now have the divine right to stare at a man’s backside with vulgar, cheap appreciation if I want to! The above conversation is from the 2006 romance drama PS I Love You in which Lisa Kudrow’s character succinctly defends the modern woman’s prerogative to peep! With regard to the image

R Pattz: forte beyond the fangs

In Harry Potter’s fourth instalment in 2005, Robert Pattinson portkeyed into our lives as golden boy Cedric Diggory, before finding fame in a certain fantasy franchise as Edward Cullen. Boldly traversing genres in recent years, from psychological horror and crime, to espionage action and 15th century period drama, Pattinson has proved he is one versatile vampire with acting chops that simply do not quit. The R Pattz Renaissance has officially arrived. After having your face printed on every con

No(lan) woman, no cry

A central criticism of Christopher Nolan’s films regards his representation of women, which consistently takes the form of a male character’s dead wife, thus perpetuating the “stuffed into the fridge” trope. This is such a virulent feature in TV and film that it has created its own verb: to “fridge”. This refers to lazy screenwriting that shows a female character’s murder, or at least brutal assault, as the motivating spark for the fire of self-discovery and fulfilment of potential that the male

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